<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4504361375078899334</id><updated>2011-07-30T19:42:22.391-07:00</updated><title type='text'>2008 Philippine Art Festival: Sinemaleta</title><subtitle type='html'>portable film showings brought to you by
the National Commission of Culture and the Arts Cinema Committee</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://sinemaleta.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://sinemaleta.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Sinemaleta</name><uri>http://www.blogger.com/profile/14894306847805901508</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>8</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4504361375078899334.post-5648198816719845204</id><published>2008-03-09T16:49:00.000-07:00</published><updated>2008-03-09T16:50:57.439-07:00</updated><title type='text'>Sinemusikalye - Massive New Media Concert!</title><content type='html'>SINEMUSIKALYE&lt;br /&gt;7PM, 14 March 2008, Friday / Remedios Circle, Malate, Manila&lt;br /&gt;&lt;br /&gt;The Cinema Committee of the National Commission for Culture and the Arts presents SINEMUSIKALYE on 14 March, Friday, 7pm in the Remedios Circle, Malate, with a massive new media audio-visual concert curated by Tengal with SABAW Art Projects.&lt;br /&gt;&lt;br /&gt;For SINEMUSIKALYE, three projectors and three screens will be combined to make an expansive panoramic view; while the countryâ€™s best sound artists, electronic musicians, and instrumentalists will perform live music at Remedios Circle, Malate in this never before attempted performance of this scale.&lt;br /&gt;&lt;br /&gt;A multi-channel projection of videoS by Lyle Sacris and Mark Mijares will be controlled and manipulated live by video Artists Tad Ermitano and Blums Borres (courtesy of New Media Arts &lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); background: transparent none repeat scroll 0% 50%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1205060118_0"&gt;Manila&lt;/span&gt;). The main performances will include electronica pioneers Malek Lopez and Caliph 8 scoring Mowelfund animation films in three movements; while Tengal and The Gangan Orchestra (composed of 16 of the best local improvising sound artists, electronic djs and musicians) will be performing Tad Ermitanoâ€™s video graphic score with algorithms by Tengal as part of the GANGAN SERIES. The evening will end with a full-orchestral sonic blast combined with the panoramic videos manipulated live by Tad Ermitano.&lt;br /&gt;&lt;br /&gt;Also performing are seminal new media artists, Elemento and The Children of Cathode Ray who will also be scoring animation films by underground legend, Rox Lee. The new generation of electronic musicians, Moon Fear Moon and Trojan Whores will also perform their unique brand of sound deconstruction&lt;br /&gt;alongside video deconstruction by Blums Borres.&lt;br /&gt;&lt;br /&gt;To start off the festivities at 7PM, filmmaker John Torres will be screening the three-screen version of his feature film, Years When I was a Child Outside. Previously premiered at the &lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;" class="yshortcuts" id="lw_1205060118_1"&gt;Berlin&lt;/span&gt; Forum, in Berlinale international film festival, this will be its Philippine premiere. The film will be accompanied with a live score by the Makiling Ensemble.&lt;br /&gt;&lt;br /&gt;Visit &lt;a target="_blank" href="http://www.sinemaleta.blogspot.com/"&gt;&lt;span class="yshortcuts" id="lw_1205060118_2"&gt;http://www.sinemaleta.blogspot.com/&lt;/span&gt;&lt;/a&gt; or email &lt;span style="border-bottom: 1px dashed rgb(0, 102, 204); background: transparent none repeat scroll 0% 50%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" class="yshortcuts" id="lw_1205060118_3"&gt;sinemaleta@gmail.com&lt;/span&gt; for more information.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4504361375078899334-5648198816719845204?l=sinemaleta.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://sinemaleta.blogspot.com/feeds/5648198816719845204/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4504361375078899334&amp;postID=5648198816719845204' title='38 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/5648198816719845204'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/5648198816719845204'/><link rel='alternate' type='text/html' href='http://sinemaleta.blogspot.com/2008/03/sinemusikalye-massive-new-media-concert.html' title='Sinemusikalye - Massive New Media Concert!'/><author><name>Sinemaleta</name><uri>http://www.blogger.com/profile/14894306847805901508</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>38</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4504361375078899334.post-7943138576385896694</id><published>2008-03-09T04:24:00.000-07:00</published><updated>2008-12-11T09:45:16.066-08:00</updated><title type='text'>SINEMUSIKALYE ON MARCH 14!</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_su6yZvkeKeM/R9PJ4FEkCRI/AAAAAAAAAAs/X61-hvMzG2A/s1600-h/sinemusikalyeflyerv3-1.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_su6yZvkeKeM/R9PJ4FEkCRI/AAAAAAAAAAs/X61-hvMzG2A/s400/sinemusikalyeflyerv3-1.jpg" alt="" id="BLOGGER_PHOTO_ID_5175702362050005266" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;SABAW&lt;br /&gt;NCCA&lt;br /&gt;Visual Pond Art Projects&lt;br /&gt;New Media Arts Manila&lt;br /&gt;Sweetspot Studios&lt;br /&gt;Mowelfund Film Institute&lt;br /&gt;&lt;br /&gt;Presents the biggest new media audio-video concert this year.&lt;br /&gt;&lt;br /&gt;SINEMUSIKALYE&lt;br /&gt;7pm, March 14, Remedios Circle, Malate.&lt;br /&gt;&lt;br /&gt;Three projectors and three screens will be combined to make an expansive panoramic view; while the country’s best sound artists, electronic musicians, and instrumentalists will perform live music at Remedios Circle, Malate in this never before attempted performance of this scale. Curated by Tengal with SABAW, New Media Arts Manila, Visual Pond, and The National Commission for Culture and Arts (NCCA).&lt;br /&gt;&lt;br /&gt;DETAILS HERE:&lt;br /&gt;&lt;br /&gt;http://tengalgorhythm.blogspot.com/2008/03/sinemusikalye-massive-new-media-audio.html&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4504361375078899334-7943138576385896694?l=sinemaleta.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://sinemaleta.blogspot.com/feeds/7943138576385896694/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4504361375078899334&amp;postID=7943138576385896694' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/7943138576385896694'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/7943138576385896694'/><link rel='alternate' type='text/html' href='http://sinemaleta.blogspot.com/2008/03/sinemusikalye-on-march-14.html' title='SINEMUSIKALYE ON MARCH 14!'/><author><name>Sinemaleta</name><uri>http://www.blogger.com/profile/14894306847805901508</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_su6yZvkeKeM/R9PJ4FEkCRI/AAAAAAAAAAs/X61-hvMzG2A/s72-c/sinemusikalyeflyerv3-1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4504361375078899334.post-1025730252506126394</id><published>2008-02-27T06:58:00.000-08:00</published><updated>2008-03-09T08:09:04.259-07:00</updated><title type='text'>SINEMUSIKALYE MOVED TO 14 MARCH 2008</title><content type='html'>The Sinemusikalye event has been moved to 14 March 2008, Friday.&lt;br /&gt;&lt;br /&gt;Email sinemaleta@gmail.com for details.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4504361375078899334-1025730252506126394?l=sinemaleta.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://sinemaleta.blogspot.com/feeds/1025730252506126394/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4504361375078899334&amp;postID=1025730252506126394' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/1025730252506126394'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/1025730252506126394'/><link rel='alternate' type='text/html' href='http://sinemaleta.blogspot.com/2008/02/sinemusikalye-moved-to-14-march-2008.html' title='SINEMUSIKALYE MOVED TO 14 MARCH 2008'/><author><name>Sinemaleta</name><uri>http://www.blogger.com/profile/14894306847805901508</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4504361375078899334.post-5233324998695419608</id><published>2008-02-16T12:20:00.000-08:00</published><updated>2008-12-11T09:45:16.799-08:00</updated><title type='text'>SINESILIP: "DV," directed by Eric dela Cruz, showing on 20 February 2008</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_su6yZvkeKeM/R7dIsspmIhI/AAAAAAAAAAU/FYbQZIcOk0c/s1600-h/DV2.jpeg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer;" src="http://2.bp.blogspot.com/_su6yZvkeKeM/R7dIsspmIhI/AAAAAAAAAAU/FYbQZIcOk0c/s400/DV2.jpeg" alt="" id="BLOGGER_PHOTO_ID_5167679030168003090" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-family:arial;"&gt;2008 PHILIPPINE ART FESTIVAL SINESILIP PROGRAM&lt;br /&gt;&lt;br /&gt;DV&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;written, produced &amp;amp; directed by Eric dela Cruz&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;shows at the &lt;/span&gt; &lt;span style="font-family:arial;"&gt;Auditorium of the National Commission of Culture and the Arts, 633 Gen. Luna Street, Intramuros, Manila &lt;/span&gt;  &lt;span style="font-family:arial;"&gt;on 20 February 2008, 6 pm&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;FILM SYNOPSIS  &lt;/span&gt;&lt;/span&gt;    &lt;p class="MsoNormal"  style="text-align: justify; text-indent: 0.5in;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:10;"&gt;Half-base&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:10;"&gt;d on F. Sionil Jose's short story &lt;i style=""&gt;Dream Video&lt;/i&gt;, and half-inspired by science fict&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_su6yZvkeKeM/R7dIacpmIgI/AAAAAAAAAAM/-LyiofgOohs/s1600-h/DV1.jpeg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://1.bp.blogspot.com/_su6yZvkeKeM/R7dIacpmIgI/AAAAAAAAAAM/-LyiofgOohs/s400/DV1.jpeg" alt="" id="BLOGGER_PHOTO_ID_5167678716635390466" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:10;"&gt;ion anime, &lt;/span&gt;Fil, the main character in the story, is a midd&lt;/span&gt;&lt;span style="font-size:100%;"&gt;le-age, upper crust Sociology professor in a university, married but childless.&lt;br /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;span style=""&gt;&lt;br /&gt;&lt;/span&gt;          A person of habit, essentially a good person living a good life, Fil’s only problem is that he hasn’t got any – which leads to his predilection of dreams. It is through his dreams that his thirst for novelty and adventure is satisfied. Fil envisions a device that could record dreams in vain hope to recapture and share his dreams deviating from his normal day to day existence.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"  style="text-align: justify;font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;          In a parallel universe, friends Jhun and Hapon succeeded in inventing a Dream Recorder with a blind man as their first subject.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="font-family: arial;" class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;FILMMAKER’S STATEMENT:&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="font-family: arial;" class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify; font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style=""&gt;            &lt;/span&gt;&lt;/b&gt;&lt;i style=""&gt;‘I sometimes wonder if in some future time, these dreams can be recorded as videos so that they can be shared with others…And wouldn’t it be better if such dreams could be transported into the minds of others so that those who dream them can share my experience?’&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"  style="margin-left: 4.25in; text-align: justify; text-indent: -0.25in;font-family:arial;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=""&gt;-&lt;span style="font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal;font-size:7;" &gt;          &lt;/span&gt;&lt;/span&gt;Fil in Dream Videos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/p&gt;          &lt;p class="MsoNormal" style="text-align: justify; text-indent: 0.5in; font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/b&gt;&lt;br /&gt;        The filmmaker sees a connection to the stage of abstraction commonly known as dreamin&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_su6yZvkeKeM/R7dJSMpmIiI/AAAAAAAAAAc/cn3hiasphAI/s1600-h/DV3.jpeg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer;" src="http://4.bp.blogspot.com/_su6yZvkeKeM/R7dJSMpmIiI/AAAAAAAAAAc/cn3hiasphAI/s400/DV3.jpeg" alt="" id="BLOGGER_PHOTO_ID_5167679674413097506" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;g to the process of filmmaking. In this respect, the short story Dream Videos, incidentally written by F. Sionil Jose has been for four years now, one of his dream movies to make.&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify; text-indent: 0.5in; font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;An individual sometimes reaches a point where he finds life a little too peaceful for comfort—sometimes to the point of extreme banality. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify; font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;           Now, the dreams that we have when we surrender to sleep are another matter. Upon waking, our dreams, in being a manifestation of our subconscious feelings and thoughts will always leave upon waking a feeling of mystery and to some extent, a desire to know more. Now, imagine a future wherein an actual device that records one’s dream is invented. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify; font-family: arial;"&gt;&lt;span style="font-size:100%;"&gt;           This in turn opens a whole new dimension not only to the movie industry in particular but to life in general. With the current assault of ‘reality-based’ programs which caters to the latent peeping tom in us, it could be assumed that the contrivance of dream recording will be revolutionize and take reality-TV into a higher (or is it hyper?) level.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="font-size:100%;"&gt; &lt;span style="font-family:arial;"&gt;The film stars&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;William Martinez, Topelito Topelits&lt;o:p&gt;&lt;/o:p&gt;, Reinier Laiño&lt;o:p&gt;&lt;/o:p&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;with&lt;o:p&gt;&lt;/o:p&gt; Pinky Amador&lt;o:p&gt;&lt;/o:p&gt;, Wiji Lacsamana&lt;o:p&gt;&lt;/o:p&gt;, Irene Delarmente&lt;o:p&gt;&lt;/o:p&gt;, Rannie Raymundo&lt;o:p&gt;&lt;/o:p&gt; and &lt;o:p&gt;&lt;/o:p&gt;Dick Israel.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt; &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4504361375078899334-5233324998695419608?l=sinemaleta.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://sinemaleta.blogspot.com/feeds/5233324998695419608/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4504361375078899334&amp;postID=5233324998695419608' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/5233324998695419608'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/5233324998695419608'/><link rel='alternate' type='text/html' href='http://sinemaleta.blogspot.com/2008/02/sinesilip-dv-directed-by-eric-dela-cruz.html' title='SINESILIP: &quot;DV,&quot; directed by Eric dela Cruz, showing on 20 February 2008'/><author><name>Sinemaleta</name><uri>http://www.blogger.com/profile/14894306847805901508</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_su6yZvkeKeM/R7dIsspmIhI/AAAAAAAAAAU/FYbQZIcOk0c/s72-c/DV2.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4504361375078899334.post-122342068572726838</id><published>2008-02-13T11:31:00.000-08:00</published><updated>2008-02-20T23:38:48.980-08:00</updated><title type='text'>SINEMUSIKALYE</title><content type='html'>&lt;p class="MsoNormal" style="text-indent: 0.5in;"&gt;&lt;span style=";font-family:Arial;font-size:10;color:black;"   &gt;&lt;span style=""&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;i style=""&gt;&lt;span style=";font-family:Arial;font-size:10;"  &gt;Sinemusikalye &lt;/span&gt;&lt;/i&gt;&lt;span style=";font-family:Arial;font-size:10;"  &gt;closes the 2008 Philippine Art Festival festivities on 29 February, Friday, at 8 pm in &lt;st1:street st="on"&gt;&lt;st1:address st="on"&gt;Remedios Circle&lt;/st1:address&gt;&lt;/st1:street&gt;, Malate, with a massive new media audio-visual concert curated by Tengal with SABAW Art Projects. &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-indent: 0.5in;"&gt;&lt;span style=";font-family:Arial;font-size:10;"  &gt;&lt;br /&gt;For the &lt;i style=""&gt;Sinemusikalye&lt;/i&gt; program, three projectors and three screens will be combined to make an expansive panoramic view; while the country’s best sound artists, electronic musicians, and instrumentalists will perform live music at Remedios Circle, Malate in this never before attempted performance of this scale.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-indent: 0.5in;"&gt;&lt;span style=";font-family:Arial;font-size:10;"  &gt;&lt;br /&gt;The multi-channel projection of video images and panoramic images by Lyle Sacris and Mark Mijares, will be controlled and manipulated live by video artists, Tad Ermitano and Blums Borres (courtesy of New Media Arts Manila). The main performances will include electronica pioneers Malek Lopez and Caliph 8 scoring Mowelfund animation films in three movements; while Tengal and The Gangan Orchestra (composed of 16 of the best local improvising sound artists, electronic djs and musicians) will be performing Tad Ermitano’s video graphic score with algorithms by Tengal as part of the GANGAN SERIES; and will culminate the evening with a full-orchestral sonic blast combined with the panoramic videos manipulated live by Tad Ermitano. Also performing are seminal new media artists, Elemento and The Children of Cathode Ray who will also be scoring animation films by underground legend, Rox Lee, as well as a film by Tad Ermitano. The new generation of electronic musicians, Moon Fear Moon and Trojan Whores will also perform their unique brand of sound deconstruction alongside video deconstruction by Blums Borres.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-indent: 0.5in;"&gt;&lt;span style=";font-family:Arial;font-size:10;"  &gt;&lt;br /&gt;Earlier in the evening at 8 pm, filmmaker John Torres will be screening the three-screen version of his feature film, &lt;i style=""&gt;Years When I was My Father’s Child Outside.&lt;/i&gt; Previously premiered at the Berlin Forum, in Berlinale international film festival, this will &lt;span style=""&gt;be its Philippine premiere.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;p  class="MsoNormal" style="font-family:arial;"&gt;Programme: &lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:arial;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:arial;"&gt;8:00 pm &lt;span style=""&gt;         &lt;/span&gt;John Torres’ &lt;i style=""&gt;Years When I was My Father’s Child Outside&lt;/i&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:arial;"&gt;9:30 pm &lt;span style=""&gt;         &lt;/span&gt;Moon Fear Moon&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:arial;"&gt;9:45 pm&lt;span style=""&gt;          &lt;/span&gt;Children of Cathode Ray&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:arial;"&gt;10:00 pm&lt;span style=""&gt;        &lt;/span&gt;&lt;b style=""&gt;Malek Lopez and Caliph 8&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:arial;"&gt;10:45 pm&lt;span style=""&gt;        &lt;/span&gt;&lt;b style=""&gt;Gangan Orchestra (1&lt;sup&gt;st&lt;/sup&gt; run)&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:arial;"&gt;11:00 pm&lt;span style=""&gt;        &lt;/span&gt;Trojan Whores&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:arial;"&gt;11:15 pm&lt;span style=""&gt;        &lt;/span&gt;Elemento&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:arial;"&gt;11:30 pm&lt;span style=""&gt;        &lt;/span&gt;&lt;b style=""&gt;Gangan Orchestra (Finale)&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p face="arial" class="MsoNormal"&gt;12 – 3 am&lt;span style=""&gt;       &lt;/span&gt;Rock party performances c/o Tado and TJ Besa (CommPulse)&lt;/p&gt;  &lt;p face="arial" class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p face="arial" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;INFO ON SABAW:&lt;/span&gt;&lt;/p&gt;  &lt;p style="font-family: arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;i style=""&gt;SABAW is dedicated to promoting and releasing the best in the avant-garde, experimental and electronic music in the &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Philippines&lt;/st1:place&gt;&lt;/st1:country-region&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="font-family: arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;i style=""&gt;SABAW likes to see itself as a platform for all kinds of infomation and communication carried via modern electronic media, whether it be a compact disc, MiniDisc, DVD, internet, video, live PA or a vinyl record release. Our aim is to keep the work undiluted from the artist's vision; and always in print and archived in our internet archives website. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="font-family: arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;i style=""&gt;Apart from it's duties as a non-profit, artists-run initiative, SABAW also represents a cross-section of innovative new media artists, interdisciplinary artists, contemporary musician-composers who find it difficult to release their material through more conventional channels. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;i style=""&gt;&lt;span style=";font-family:arial;font-size:85%;"  &gt;Founded by Tengal in 2005.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4504361375078899334-122342068572726838?l=sinemaleta.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://sinemaleta.blogspot.com/feeds/122342068572726838/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4504361375078899334&amp;postID=122342068572726838' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/122342068572726838'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/122342068572726838'/><link rel='alternate' type='text/html' href='http://sinemaleta.blogspot.com/2008/02/sinemusikalye.html' title='SINEMUSIKALYE'/><author><name>Sinemaleta</name><uri>http://www.blogger.com/profile/14894306847805901508</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4504361375078899334.post-594451609030361667</id><published>2008-02-13T11:14:00.000-08:00</published><updated>2008-02-13T11:21:16.461-08:00</updated><title type='text'>SINEMALETA</title><content type='html'>&lt;span style="font-size: 100%; font-family: arial;"&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt;"&gt;Sinemaleta &lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt;"&gt;is a portable film festival of NCCA-funded films to be shown in pre-selected barangay centers around Metro Manila on weekend evenings during February, National Arts Month. For directions to the venues and further inquiries on &lt;span style="font-style: italic;"&gt;Sinemaleta&lt;/span&gt;, contact Kristine Kintan&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: arial;"&gt;a&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: arial;"&gt; at +63905.2404177.&lt;/span&gt;&lt;/span&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;8 February 2008, Friday, 7 pm&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Covered Court, Barangay 178, Camarin, &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Caloocan&lt;/st1:PlaceName&gt; &lt;st1:placetype st="on"&gt;City&lt;/st1:PlaceType&gt;&lt;/st1:place&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Mudraks&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Directed by Arah Badayos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Inside the Rabadon house, nobody talks. Lives are kept to themselves; problems are not shared; questions are not entertained. The people living inside it have become used to leaving everything unstirred especially Margaret, the mother of the home. Margaret's desire for cleanliness and order alienates her from her family. She cannot confront the problems of her life and so she confronts dirty dishes, ugly stains, and disorderly appliances. To get to know her family, she snoops around—entering rooms, opening cabinets, reading journals she is not supposed to read. But everything changes when a journal entry of her daughter's makes her unravel, stirring the unstirred life that she has held on to for years.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;          &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;9 February 2008, Saturday, 7 pm&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Policarpio Chapel, Barangay &lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;San Jose&lt;/st1:place&gt;&lt;/st1:City&gt;, Navotas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Rotonda&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Directed by Ron Bryant&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Beginning at the break of dawn and ending the next morning, the story, set around a rugged city intersection, follows the path of a marked one-thousand-peso bill as it transfers from one character to another, returning to its originator in the end, blood-tainted. The money leads us to each of the five offbeat characters, all in desperate need of their soul's redemption: a disillusioned tabloid reporter planning to commit suicide in a motel, a nightclub dancer con prostitute who has avowed to give her kid sister a better life, a fallen henchman resurfacing to score big time, a chronic runaway teenage girl held captive as sex slave by a cop, and a long-suffering son bearing a sadomasochistic relationship with his brutish, half-paralyzed father who behaves like a mad dictator in his wheelchair. Like a ticking time bomb, the story unravels with unforgiving immediacy and explodes in the end with a tabloid front-pager triple homicide where death seems to have come full circle.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;          &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;15 February 2008, Friday, 8 pm – 5 am&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Angono Municipal Hall, Angono, Rizal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Death in the &lt;st1:place st="on"&gt;&lt;st1:placetype st="on"&gt;Land&lt;/st1:PlaceType&gt;  of &lt;st1:placename st="on"&gt;Encantos&lt;/st1:PlaceName&gt;&lt;/st1:place&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Directed by Lav Diaz&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The main character of Kagadanan is a Filipino poet named Benjamin Agusan (played by Roeder Camañag). He is the hapless native who returns to his hometown &lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;Padang&lt;/st1:place&gt;&lt;/st1:City&gt; to witness the aftermath of a super typhoon. Director Lav Diaz short Kagadanan in &lt;st1:city st="on"&gt;Padang&lt;/st1:City&gt;, &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Legaspi&lt;/st1:PlaceName&gt; &lt;st1:placetype st="on"&gt;City&lt;/st1:PlaceType&gt;&lt;/st1:place&gt;, where a village was buried by landslides caused by super typhoon REming that hit the Bicol region on November 30, 2006.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;For the past seven years, Benjamin has been living in an old town called &lt;st1:city st="on"&gt;Kaluga&lt;/st1:City&gt; in &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Russia&lt;/st1:place&gt;&lt;/st1:country-region&gt;. With his grant and residency, he taught and conducted workshops in a university. The poet published two books of sadness and longing in the process.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;In &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Russia&lt;/st1:place&gt;&lt;/st1:country-region&gt;, Benjamin shot video collages, fell in love with a Slavic beauty, buried a son, and almost went mad. He came back home to bury his loved ones—father, mother, sister and a lover. He came back to face &lt;st1:place st="on"&gt;Mount Mayon&lt;/st1:place&gt;, the raging beauty and muse of his youth. He came home to confront the country that he so loved and hated, the &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Philippines&lt;/st1:place&gt;&lt;/st1:country-region&gt;. He came back to die in the land of his birth. He wanders around the obliterated village meeting old friends and lovers.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Shot in black and white, &lt;i style=""&gt;Kagadanan sa Banwaan ning Mga Engkanto (Death in the &lt;st1:place st="on"&gt;&lt;st1:placetype st="on"&gt;Land&lt;/st1:PlaceType&gt; of &lt;st1:placename st="on"&gt;Encantos&lt;/st1:PlaceName&gt;&lt;/st1:place&gt;)&lt;/i&gt; expresses an inexhaustible belief in the regenerative power of both nature and art.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family: arial;"&gt;16 February 2008, Saturday, 7 pm&lt;/span&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;br /&gt;3&lt;sup&gt;rd&lt;/sup&gt; corner &lt;st1:street st="on"&gt;&lt;st1:address st="on"&gt;Main Avenue&lt;/st1:address&gt;&lt;/st1:Street&gt;, Barangay Bagong Lipunan, Cubao&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Saan Nagtatago Si Happiness?&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;b style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;br /&gt;Directed by &lt;st1:state st="on"&gt;&lt;st1:place st="on"&gt;Florida&lt;/st1:place&gt;&lt;/st1:State&gt; Bautista&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Finding happiness isn't part of Tikyo's everyday plan. For him, at the age of 50, nothing is as simple as selling &lt;i style=""&gt;sorbetes&lt;/i&gt;, his only source of living. Everything's just perfectly fine until breaking news comes—his mother, whom he believed for so long was already in heaven, is still alive. Dogged and eager, Tikyo will do everything to reconcile with the woman he loves the most—from the long queue in the TV studio to the chaotic newsroom of a radio station to the lunatic and hysterical fortune teller. Every effort he does with the help of his best bud, Nene, the problem child of the tenement. His world will be lost in confusion when Sara, the girl of his dreams comes. The 50-year old guy is now torn between finding his mom and pursuing the young woman's heart. Tikyo believes that true happiness will come to him if he'll be successful in winning the two women. Tikyo must find his way to happiness, lead other people to it or redefine its true meaning.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;          &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;br /&gt;22 February 2008, Friday, 7 pm&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;st1:placename st="on"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Barangay&lt;/span&gt;&lt;/st1:PlaceName&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt; &lt;st1:placename st="on"&gt;East&lt;/st1:PlaceName&gt; &lt;st1:placename st="on"&gt;Rembo&lt;/st1:PlaceName&gt; &lt;st1:placetype st="on"&gt;Park&lt;/st1:PlaceType&gt;, East Rembo, &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Makati&lt;/st1:PlaceName&gt;  &lt;st1:placetype st="on"&gt;City&lt;/st1:PlaceType&gt;&lt;/st1:place&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;iSNATS &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Directed by Mike Dagñalan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;iSNATS, dubbed as neo-realist, is a story of a cellphone snatcher-collector (J) who got into trouble when he steals Sam’s cellphone (a former cop - drug dealer). J thinks he hits it big-time when he gets a drug delivery through the snatched phone but drug lord Rudy wants his drug money and so orders/threatens Sam to get it back. Yet, then again, local gangster Bonsai gets in the way and pushes J and Sam into deeper trouble. Sam and J team up to survive and eventually escape on a rusty PNR Bicol Express Train. The duo then decides to change their lives as they reach the province. Drug lord Rudy eventually gets caught by the police when he throws the cellphone away that caused them all this trouble. Shot in the gritty streets of Cubao and Recto Manila, the film portrays man's attachment to material things that leads him to bad decisions/situations.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;23 February 2008, Saturday, 7 pm&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Penguin Bar, Malate&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Voice, Tilted Screens and Extended Scenes of Loneliness: Filipinos on High Definition&lt;span style=""&gt;                                                                                                                                      &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;br /&gt;Directed by John Torres&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p style="text-align: justify;"&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;Voice, Tilted Screens and Extended Scenes of Loneliness: Filipinos on High Definition&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; is at once a meditation. It is a meta-film that unravels a journey, a chronicle of stories through foreign regions. It is a probing letter from outside circles, an honest account of illegitimate views from uneven terrain, and a narrative-driven exploration of the nooks and peripheries of the body, geography, and weather. As the journey progresses, the film increasingly traverses the countries of revelation, film, and heart to where all journeys are meant to end with.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;23 February 2008, Saturday, 6.00 – 10.30 pm&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;st1:placename st="on"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Luneta&lt;/span&gt;&lt;/st1:PlaceName&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt; &lt;st1:placetype st="on"&gt;Park&lt;/st1:PlaceType&gt;, Luneta, &lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;Manila&lt;/st1:place&gt;&lt;/st1:City&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;EDSA People Power Anniversary Special: Three Film Showings&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Barako&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Directed by Manolito Sulit&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The story unfolds on the eve of the American occupation of Batangas in January 1900.  It then moves on to recall the childhood of the Publisista (publicist) in the 80s, who two decades later, will form a kapihan, oddly referred to as the barukuhan to play a pivotal role in the resolution of the town's six-week electricity crisis and in the events leading to the 2004 elections. The movie delineates post-colonial realities and  inquires into the state of our democracy one hundred years since losing the Fil-American war.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Siglo Filipino: Odyssey of a Nation&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Directed by Butch Nolasco&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The most significant events and personalities in Philippine history during the 20th century, written from the point of view of National Artist Nick Joaquin. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;Lakas Sambayanan (People Power)&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Directed by Butch Nolasco&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;An hour 40-minute long documentary hosted by Cesar Montano about the search for the true definition of People Power.  It shows in parallel the two successful EDSA People Power revolts in the years 1986 and 2001.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;          &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;24 February 2008, Sunday, 6 pm&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Barangay Buwayang Bato, &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Gawad&lt;/st1:PlaceName&gt;  &lt;st1:placename st="on"&gt;Kalinga&lt;/st1:PlaceName&gt; &lt;st1:placename st="on"&gt;Concepcion&lt;/st1:PlaceName&gt;  &lt;st1:placename st="on"&gt;Village&lt;/st1:PlaceName&gt;&lt;/st1:place&gt;, Guadalupe&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Balikbayan Box&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Directed by Mes de Guzman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Children of Filipino workers who have gone overseas in search of employment struggle to survive in this drama from filmmaker Mes De Guzman. Ilyong, Jun-jun and Moymoy are three young boys living in the rural &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Philippines&lt;/st1:place&gt;&lt;/st1:country-region&gt;. Their parents are OFW's-- Overseas Filipino Workers," a local term for people who have traveled to the Middle East, Hong Kong or Japan in search of jobs that are hard to come by at home. Most OFW's support their families by sending home "Balikbayan boxes," parcels containing cash and presents that have been designed with Filipino shipping regulations in mind. But the boys have learned that a Balikbayan box is a poor substitute for a mother and father, and that despite their parents' good intentions, getting by on what they're sent is difficult if not impossible. Ilyong, Jun-jun and Moymoy steal food to get by and occasionally scrounge up enough change to take in a show at "Betamax House," a makeshift movie house where bootleg videos of American action films are shown. Just as the youngsters suffer in the absence of their parents, their folks discover that the fortune they imagined would be found elsewhere proves to be elusive at best. &lt;i style=""&gt;Balikbayan Box&lt;/i&gt; was screened as a work in progress at the 2007 Rotterdam International Film Festival.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4504361375078899334-594451609030361667?l=sinemaleta.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://sinemaleta.blogspot.com/feeds/594451609030361667/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4504361375078899334&amp;postID=594451609030361667' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/594451609030361667'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/594451609030361667'/><link rel='alternate' type='text/html' href='http://sinemaleta.blogspot.com/2008/02/sinemaleta.html' title='SINEMALETA'/><author><name>Sinemaleta</name><uri>http://www.blogger.com/profile/14894306847805901508</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4504361375078899334.post-7475006401327864213</id><published>2008-02-13T11:12:00.000-08:00</published><updated>2008-02-13T11:13:59.301-08:00</updated><title type='text'>SINESILIP</title><content type='html'>&lt;p class="MsoNormal" style="text-indent: 0.5in;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;br /&gt;Venue: &lt;span style=""&gt; &lt;/span&gt;Auditorium, National Commission of Culture and the Arts&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;st1:street st="on"&gt;&lt;st1:address st="on"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;, 633 General Luna   Street&lt;/span&gt;&lt;/st1:address&gt;&lt;/st1:Street&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;, Intramuros, &lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;Manila&lt;/st1:place&gt;&lt;/st1:City&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;6 February 2008, Wednesday, 1:30 PM&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Death in the &lt;st1:place st="on"&gt;&lt;st1:placetype st="on"&gt;Land&lt;/st1:PlaceType&gt;  of &lt;st1:placename st="on"&gt;Encantos&lt;/st1:PlaceName&gt;&lt;/st1:place&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Directed by Lav Diaz&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The main character of Kagadanan is a Filipino poet named Benjamin Agusan (played by Roeder Camañag). He is the hapless native who returns to his hometown &lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;Padang&lt;/st1:City&gt;&lt;/st1:place&gt; to witness the aftermath of a super typhoon. Director Lav Diaz short Kagadanan in &lt;st1:city st="on"&gt;Padang&lt;/st1:City&gt;, &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Legaspi&lt;/st1:PlaceName&gt; &lt;st1:placetype st="on"&gt;City&lt;/st1:PlaceType&gt;&lt;/st1:place&gt;, where a village was buried by landslides caused by super typhoon REming that hit the Bicol region on November 30, 2006.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;For the past seven years, Benjamin has been living in an old town called &lt;st1:city st="on"&gt;Kaluga&lt;/st1:City&gt; in &lt;st1:place st="on"&gt;&lt;st1:country-region st="on"&gt;Russia&lt;/st1:country-region&gt;&lt;/st1:place&gt;. With his grant and residency, he taught and conducted workshops in a university. The poet published two books of sadness and longing in the process.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;In &lt;st1:place st="on"&gt;&lt;st1:country-region st="on"&gt;Russia&lt;/st1:country-region&gt;&lt;/st1:place&gt;, Benjamin shot video collages, fell in love with a Slavic beauty, buried a son, and almost went mad. He came back home to bury his loved ones—father, mother, sister and a lover. He came back to face &lt;st1:place st="on"&gt;Mount Mayon&lt;/st1:place&gt;, the raging beauty and muse of his youth. He came home to confront the country that he so loved and hated, the &lt;st1:place st="on"&gt;&lt;st1:country-region st="on"&gt;Philippines&lt;/st1:country-region&gt;&lt;/st1:place&gt;. He came back to die in the land of his birth. He wanders around the obliterated village meeting old friends and lovers.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Shot in black and white, &lt;i style=""&gt;Kagadanan sa Banwaan ning Mga Engkanto (Death in the &lt;st1:place st="on"&gt;&lt;st1:placetype st="on"&gt;Land&lt;/st1:PlaceType&gt; of &lt;st1:placename st="on"&gt;Encantos&lt;/st1:PlaceName&gt;&lt;/st1:place&gt;)&lt;/i&gt; expresses an inexhaustible belief in the regenerative power of both nature and art.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;13 February 2008, Wednesday, 6 pm&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Ruben: An Aspiring Registered Nurse&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Directed by &lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;Lawrence&lt;/st1:place&gt;&lt;/st1:City&gt; Cordero&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Filmmaker-turned-nursing student Lawrence Cordero follows the triumphs and travails of four of his colleagues, from classrooms to exams to job searches abroad. Part mockumentary but mostly docu, the film centers on Ruben Lee, whose easygoing nature belies the anguish he and many aspiring Pinoy would-be nurses have experienced while switching careers in midlife.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;20 February 2008, Wednesday, 6 pm&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;DV &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Directed by Eric dela Cruz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Half-based on F. Sionil Jose's short story &lt;i style=""&gt;Dream Video&lt;/i&gt;, and half-inspired by science fiction anime, Fil is a middle aged, upper crust Sociology professor. A person of habit, his problem is that he hasn't got a life. Monotomy begets novelty, and he envisions a device that could record dreams.  With the current assault of reality-based programs catering to the peeping tom in us, this contrivance will revolutionize and bring reality TV into a higher level.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;27 February 2008, Wednesday, 6 pm&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;i style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Carnivore&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Directed by Ato Bautista&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Young, ambitious, idealistic, yet ignorant, Lino Lucero went to the city from the province, wanting to make a name for himself and become “somebody.” But life in the city proves to be more vicious and cruel than what he expected.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;With nothing but determination and drive to succeed, he attempts to run for a seat in the student council and gets rejected. Unshaken, Lino enters an infamous fraternity that he thinks and believes can build for him connections and clout that can eventually take him to the next step towards his goal.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;As he strives to succeed in every initiation and trial that come his way, Lino succumbs to his ambition until that climactic ending where he is faced with the greatest dilemma of surviving in the jungle of life, where he gets the taste of human flesh that will forever stay with his tongue.&lt;span style=""&gt;   &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;b style=""&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4504361375078899334-7475006401327864213?l=sinemaleta.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://sinemaleta.blogspot.com/feeds/7475006401327864213/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4504361375078899334&amp;postID=7475006401327864213' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/7475006401327864213'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/7475006401327864213'/><link rel='alternate' type='text/html' href='http://sinemaleta.blogspot.com/2008/02/sinesilip.html' title='SINESILIP'/><author><name>Sinemaleta</name><uri>http://www.blogger.com/profile/14894306847805901508</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4504361375078899334.post-2367655754747249611</id><published>2008-02-13T10:57:00.000-08:00</published><updated>2008-02-20T23:40:03.115-08:00</updated><title type='text'>2008 Philippine Art Festival Presents SINEMALETA</title><content type='html'>&lt;p class="MsoNormal"  style="text-align: justify; color: rgb(204, 204, 204);font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:10;"&gt;The Cinema Committee of the National Commission of Culture and the Arts (NCCA) presents &lt;i style=""&gt;Sinemaleta &lt;/i&gt;as its offering for the 2008 Philippine Art Festival during February, the National Arts Month. &lt;i style=""&gt;Sinemaleta &lt;/i&gt;umbrellas three different programs, &lt;i style=""&gt;Sinisilip, Sinemusikalye &lt;/i&gt;and, of the same name, &lt;i style=""&gt;Sinemaleta&lt;/i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p  style="color: rgb(204, 204, 204);font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;i style=""&gt;&lt;span style="font-size:10;"&gt;Sinemaleta &lt;/span&gt;&lt;/i&gt;&lt;span style="font-size:10;"&gt;is a portable film festival of NCCA-funded films to be shown in pre-selected barangay centers around Metro Manila on weekend evenings. The program kicks off on 8 February, Friday, 7 pm, with a screening of &lt;i style=""&gt;Mudraks&lt;/i&gt;, directed by Arah Badayos, at Camarin, &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Caloocan&lt;/st1:placename&gt;  &lt;st1:placetype st="on"&gt;City&lt;/st1:placetype&gt;&lt;/st1:place&gt;. The following evening on 9 February, Saturday, also at 7 pm is a showing of &lt;i style=""&gt;Rotunda&lt;/i&gt;, a Ron Bryant film, at Barangay San Jose in Navotas. The following weekend starts with &lt;i style=""&gt;Death in the Land of Encantos&lt;/i&gt;, directed by Lav Diaz, at 8 pm, 15 February, Friday, at Angono Municipal Hall, Angono, Rizal. On 16 February, Saturday, 7 pm, is a screening of the Florida Bautista-directed film &lt;i style=""&gt;Saan Nagtatago si Happiness? &lt;/i&gt;at Barangay Bagong Lipunan in Cubao on 3&lt;sup&gt;rd&lt;/sup&gt; corner &lt;st1:street st="on"&gt;&lt;st1:address st="on"&gt;Main Avenue&lt;/st1:address&gt;&lt;/st1:street&gt;. Mike Dagñalan’ &lt;i style=""&gt;iSNATS &lt;/i&gt;is to be presented on 22 February, 7 pm, at &lt;st1:placename st="on"&gt;East&lt;/st1:placename&gt; &lt;st1:placename st="on"&gt;Rembo&lt;/st1:placename&gt; &lt;st1:placetype st="on"&gt;Park&lt;/st1:placetype&gt;, East Rembo, &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Makati&lt;/st1:placename&gt;  &lt;st1:placetype st="on"&gt;City&lt;/st1:placetype&gt;&lt;/st1:place&gt; and the John Torres film, &lt;i style=""&gt;Voice, Tilted Screens and Extended Scenes of Loneliness: Filipinos on High Definition&lt;/i&gt;, screens the following evening on 23 February at 7 pm at Penguin Bar in Malate. Also on 23 February is an EDSA People Power Anniversary Special, with three films focusing on that theme to begin showing at 6 pm at the open air auditorium in &lt;st1:placename st="on"&gt;Rizal&lt;/st1:placename&gt; &lt;st1:placetype st="on"&gt;Park&lt;/st1:placetype&gt; (Luneta), &lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;Manila&lt;/st1:city&gt;&lt;/st1:place&gt;. It starts off with &lt;i style=""&gt;Barako&lt;/i&gt;, directed by Manolito Sulit, followed by Butch Nolasco-directed films &lt;i style=""&gt;Siglo Filipino: Odyssey of a Nation&lt;/i&gt; and &lt;i style=""&gt;Lakas Sambayanan (People Power)&lt;/i&gt;. On 24 February, Sunday, is the showing of Mes de Guzman’s &lt;i style=""&gt;Balikbayan Box &lt;/i&gt;at the Barangay Buwayang Bato, &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Gawad&lt;/st1:placename&gt; &lt;st1:placename st="on"&gt;Kalinga&lt;/st1:placename&gt;  &lt;st1:placename st="on"&gt;Concepcion&lt;/st1:placename&gt; &lt;st1:placename st="on"&gt;Village&lt;/st1:placename&gt;&lt;/st1:place&gt; in Guadalupe.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"  style="text-align: justify; color: rgb(204, 204, 204);font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;i style=""&gt;&lt;span style="font-size:10;"&gt;Sinesilip&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size:10;"&gt; is a showing of NCCA-funded films at the auditorium at the NCCA office every Wednesday of the month. It begins on 6 February at 1:30 PM with &lt;i style=""&gt;Death in the Land of Encantos&lt;/i&gt;, a 9-hour Lav Diaz film. This will be followed by screenings &lt;span style=""&gt; &lt;/span&gt;at 6 pm of &lt;i style=""&gt;Ruben: An Aspiring Registered Nurse&lt;/i&gt;, directed by Lawrence Cordero,&lt;i style=""&gt; &lt;/i&gt;on 13 February; &lt;i style=""&gt;DV&lt;/i&gt;, directed by Eric de Guzman,&lt;i style=""&gt; &lt;/i&gt;on 20 February; and &lt;i style=""&gt;Carnivore&lt;/i&gt;, directed by Ato Bautista,&lt;i style=""&gt; &lt;/i&gt;on 27 February.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p  style="color: rgb(204, 204, 204);font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;i style=""&gt;&lt;span style="font-size:10;"&gt;Sinemusikalye &lt;/span&gt;&lt;/i&gt;&lt;span style="font-size:10;"&gt;closes the 2008 Philippine Art Festival festivities on 29 February, Friday, at 8 pm in &lt;st1:street st="on"&gt;&lt;st1:address st="on"&gt;Remedios Circle&lt;/st1:address&gt;&lt;/st1:street&gt;, Malate, with a massive new media audio-visual concert curated by Tengal with SABAW Art Projects. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p  style="color: rgb(204, 204, 204);font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:10;"&gt;For the &lt;i style=""&gt;Sinemusikalye&lt;/i&gt; program, three projectors and three screens will be combined to make an expansive panoramic view; while the country’s best sound artists, electronic musicians, and instrumentalists will perform live music at Remedios Circle, Malate in this never before attempted performance of this scale.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p  style="color: rgb(204, 204, 204);font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:10;"&gt;The multi-channel projection of video images and panoramic images by Lyle Sacris and Mark Mijares, will be controlled and manipulated live by video artists, Tad Ermitano and Blums Borres (courtesy of New Media Arts Manila). The main performances will include electronica pioneers Malek Lopez and Caliph 8 scoring Mowelfund animation films in three movements; while Tengal and The Gangan Orchestra (composed of 16 of the best local improvising sound artists, electronic djs and musicians) will be performing Tad Ermitano’s video graphic score with algorithms by Tengal as part of the GANGAN SERIES; and will culminate the evening with a full-orchestral sonic blast combined with the panoramic videos manipulated live by Tad Ermitano. Also performing are seminal new media artists, Elemento and The Children of Cathode Ray who will also be scoring animation films by underground legend, Rox Lee, as well as a film by Tad Ermitano. The new generation of electronic musicians, Moon Fear Moon and Trojan Whores will also perform their unique brand of sound deconstruction alongside video deconstruction by Blums Borres.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p  style="color: rgb(204, 204, 204);font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:10;"&gt;Earlier in the evening at 8 pm, filmmaker John Torres will be screening the three-screen version of his feature film, &lt;i style=""&gt;Years When I was My Father’s Child Outside.&lt;/i&gt; Previously premiered at the Berlin Forum, in Berlinale international film festival, this will &lt;span style=""&gt;be its Philippine premiere.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"  style="text-align: justify; color: rgb(204, 204, 204);font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:10;"&gt;Further details on the programs are available at &lt;a href="http://sinemaleta.blogspot.com/"&gt;http://sinemaleta.blogspot.com&lt;/a&gt;. For inquiries on the event, email &lt;a href="mailto:sinemaleta@gmail.com"&gt;sinemaleta@gmail.com&lt;/a&gt;. For directions to the venues, contact Kristine Kintana, Film Coordinator, at 0905-2404177.&lt;/span&gt;&lt;span style="font-size:10;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"  style="text-align: justify; color: rgb(204, 204, 204);font-family:arial;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:10;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  style="color: rgb(204, 204, 204);font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4504361375078899334-2367655754747249611?l=sinemaleta.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://sinemaleta.blogspot.com/feeds/2367655754747249611/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4504361375078899334&amp;postID=2367655754747249611' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/2367655754747249611'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4504361375078899334/posts/default/2367655754747249611'/><link rel='alternate' type='text/html' href='http://sinemaleta.blogspot.com/2008/02/2008-philippine-art-festival-presents.html' title='2008 Philippine Art Festival Presents SINEMALETA'/><author><name>Sinemaleta</name><uri>http://www.blogger.com/profile/14894306847805901508</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
